The First 100 Years’ book celebrates the history of the Los Angeles landmark – Daily News

To commemorate the 100th season at the Hollywood Bowl, the Los Angeles Philharmonic is publishing “Hollywood Bowl: The First 100 Years,” a 300-page coffee table-style book filled with rare photos and historical facts that pays homage to notable performances and moments in the history of the iconic venue.

The book, which was written by LA Phil’s Derek Traub and edited by LA Phil’s director of humanities Julia Ward and Robin Rauzi, will be available June 3, and it coincides with the official opening of the 100th season at the venue with Gustavo Dudamel and the LA Phil performing with Gwen Stefani and special guests. The book can be purchased at laphil.com and in-person at the LA Phil Store at Walt Disney Concert Hall and at the Hollywood Bowl.

“The Hollywood Bowl is a little bit magical,” Ward said during a recent interview backstage at the venue. “It’s situated in a gorgeous, natural environment and it’s an experience. You can bring a bottle of wine, sit under this beautiful night sky and hear some of the greatest music in the world. It has become a tradition in the lives of so many families in Southern California. There are people that have handed down their box subscriptions for generations now, so it’s really a part of people’s lives and a part of the fabric of this city.”

The Hollywood Bowl got its start in an outdoor canyon then known as Daisy Dell in 1921, according to the book. That was the first time the LA Phil performed there and when Artie Mason Carter, also known as the Mother of the Hollywood Bowl, began to champion the location to become a permanent home for affordable symphonic concerts that would cost no more than a quarter.

“One of the things I was vaguely aware of but didn’t fully realize until this book was how the early history of the Hollywood Bowl was so informed by really progressive women,” she said. “The very early origins were a combination of city boosters and typical city interests, but you had these bohemian theosophist women who wanted to do plays about all the world’s religions.”

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